Vlasta Delimar,
Pokusaj poistovjecenja
Vlasta Delimar
Pokusaj poistovjecenja
Vlasta Delimar (*1956, Croatia) received a degree in graphic design from the University of Applied Arts in Zagreb in 1977. At the time, she was collaborating with the artist Željko Jerman, who was associated with the avant-garde Group of Six Authors, and contributing to their publication Maj 75. In the 1980s, she began working more and more as a solo performer and she received much attention for often performing in the nude. While the transition to staged photography was unproblematic, Delimar has remained true to performance art in her 35-year- long career. In 2014, the Museum of Contemporary Art in Zagreb will present a retrospective survey of the artist’s work. JE
artist's website:
www.performer-delimar.hr
During this intervention in urban space – the title of which translates as “Walk like Lady Godiva” – Vlasta Delimar rides through Zagreb on a horse while wearing no clothes. She thereby refers to the medieval legend of Lady Godiva, who made her husband Leofric lower the oppressive taxation of the citizens of Coventry
in England by riding naked through the town. Her husband, impressed by his wife’s courage, remitted the taxes. Delimar condenses the historical legend into a curious, ostentatious presentation of nakedness while turning the potential humiliation of Lady Godiva (she asked villagers to stay indoors and close their window shades) into the opposite: a self-confident act of individual and public appearance. Without a concrete political background, her ride becomes an appropriation of public space through the provocation of the naked, female body.
Courtesy Vlasta Delimar
Issue date
2001
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abstraction
activism
aggression
aging
appropriation
authorship
be-coming
beauty
body control
body object relation
cabaret
capitalism
childhood
collectivity
conflict
consumerism
craft
dance/choreography
de/construct identities
death
desire
destruction
dis/ability
dis/appearance
dreamscapes
durational performance
exhaustion
extended body
failure
fashion/glamour
femininity
flesh
fluxus
fragmentation
gaze
happening
health/illness
his/herstory
housework/carework
human/non-human animals
in/visibility
inscription
institutional critique
intimacy
labour
language
laughter/humorous
lecture performance
manifesto
masculinity
masquerade
mass media
maternity
measuring
metamorphosis
migration
military
music
mythology
nationalism
nature
networks/affiliations
normativity
pain
painting/drawing
participation
patriarchy
pleasure
pop
post-communism
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private/public
public space
queer
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racism
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repetition/seriality
resistance
ritual
roleplay
score
sexual violence
sexualities
skin
sound
state oppression
stereotypes
the common
therapy
torture
touch
trash
violence
voice
voyeurism
vulnerability